ART BIBLE
Iran’s Traditional
Singing & Music
Has Been Divided
Into 12 Groups
Farhangsara.com
History of Iranian Music
According to the new classifIcation of Iranian Awaz (songs) and modes, which has been set since a century ago, Iran’s traditional singing and music has been divided Into 12 groups. [1]
The seven groups which are wider and more independent are called Dastgah (mode) and the other five groups which are not independent and have been derived from the Dastgahs or modes are called Awaz (a group of melodies with the same gamut.)[1]
So, Iran’s present traditional music is only a remainder of the former 12 Maghams (modes) and what we have today is a very small part of the Iranian traditional music. [1]
The seven main Dastgahs (modes) and the five Awaz groups have several pieces (gushe) which are now the models of the contemporary musicians and singers.[1]
The number of these pieces (gushes) is said to be 228.[1]
The varoius and well-known Radifi (Iranian classical music) of the masters of the 100-year old Iranian traditional music such as Agha Hosein GhoMirza Abdollali, Darvish Khan, and Saba follow the same order.[1]
مهستی آنکه دلم را برده خدایا
Iran’s local melodies are one of the richest, most beautiful and most various among the folklore melodies in the world. These melodies reflect the thoughts, lives, and nature of the people who have created them. They are one of the rich cultural sources of Iran and can be the best inspiration for our musicians to compose scientific music.[1]
Around a hundred years ago, Iran’s music was gradually separated from songs and followed its own way Iranian musicians and composers masterted the Iranian musk and made innovations in this regard but, on the whole, Iran’s Instrumental music, has two main parts: 1)- solo which is based on traditional music and improvisation.[1]
پروا .. این کیه
The ney is the oldest instrument in this group. it is a tube made of cane wIth seven joints and six knots. The ney Is among Iran’s rural instrumenti and i~ usually played in all parts ollran.[1]
Another Iranian wind instrument is Sorna (an oboe-like Iranian instrument) which is common all ovElran and is of two types:Bakhtyari and Azarbaijani.[1]
In Iran, the Soma is usually accompanied by the Dohol or the naghareh (a drum-like Iranian Instrument).[1]
This instrument is played at different occasions according to the particular region of the country.[1]
In lran’Kordestan, the dohol and the soma are played at mourning ceremonies while in the north, the soma is played along with the performance of ropewalkers and West Azarbaijari, the villagers play the Sorna in their marriage ceremonies along with wood dancing.[1]
parvaپروا طوطی جون
One of the oldest string Instruments is Kamancheh (an Iranian violin-like instrument resting on the ground during the performance). This instrument can be used well both in solo and in group performance. Kamancheh isa national musical instrument which is played in all the provinces of Iran, but Is mostly common among Turkmen and Turk tribes.[1]
The barbat (a harp-like Iranian instrument): this is an instrument from the family of limited string instruments. It is also called AI-e-Oud or Lout. Its body Is like a pear divided lengthwise into two parts. [1]
It has a big body and a short necI~ which, in earlier times, used to have three strings. The rabab: This instrument has four parts: a melon-shaped body, middle, neck, and head.[1]
The strings of the rabab used to be made of the she-bowel, but now they are made of nylon threads. Its plectrum is made of chicken feather.[1]
This instrument is mainly rural and is mostly played in Khorasan and also in some parts of Baluchistan and Sistan.[1]
Hassan Golnaraghi
- Mara Beboos حسن گلنراقی -
مرا ببوس
- Mara Beboos حسن گلنراقی -
مرا ببوس
Azerbaijani Music
Was Developing
Through The Centuries
Azerbaijan.Az
Azerbaijani music was developing through the centuries. The traces of ancient music of Azerbaijan were found in a number of monuments, excavated in time of archeological digs, as well as in rock carvings of Gobustan (18-3 millennium B.C) and Gemigaya (3-1 millennium B.C).[2]
Kitabi Dede Gorgud (8th century), creative works of Nizami, Fizuli provide full coverage of medieval music art, music genres and music instruments. [2]
The records of such prominent medieval scientists of Azerbaijan as Sefiaddin Urmevi (18 century), Abdulgadir Maragai (17 century), Mir Movsum Nevvab (19 century) pointed out the highly developed art and culture of music and mastery performance and cited theoretical issues of music in medieval Azerbaijan.[2]
The first written monument of our country epos Kitabi Dede Gorgut , containing several chapters, related to music and citing the names of different musical instruments, testifies that out music art possesses ancient history.[2]
Esra Dalfidan
-Sana böyle n'oldu yar
-Sana böyle n'oldu yar
Beginning in late 19th century music meetings, associations and circles (by Mahmud Agha in Shamakhy, Kharrat oghly , Mir Movsum Nevvab in Shusha, Meshedi Malik Mansur in Baku). [2]
In the 1880th M.M.Nevvab and Hadjy Husu organized meetings of Musicians, which were dedicated to discussion of esthetic problems of music, mastery performance and mugam. [2]
Meetings were attended by famous singers and saz players Meshedi Djemil Amirov, I.Abdullayev, S.Shushinskiy, Sadykhdjan and others.[2]
Ahmet Kaya Yollarina Baka Baka
In the early 20th century, in the atmosphere of socio-economic and cultural growth, U.Hadjibeyov laid the foundation of the culture of modern professional music of Azerbaijan and created a synthesis of composer creations and folklore music.[2]
That caused the interference of Western and Eastern cultures. In 1908 U.Hadjibeyov staged the opera "Leyli and Medjnun" at the theater of H.Z.Tagiyev, thus, laying the foundation of opera not only in Azerbaijan but in the entire Muslim East and became the founder of the genre of mugam -opera.[2]
Realizing that the new genre will be difficult to comprehend, U.Hadjibeyov, referring to the poem by Fuzuli "Leyli and Medjnun" and genres of folklore music, created a stage work, corresponding to the spirit of that period and moral needs of people .[2]
The Beauty of Japanese Art
Mirrors In Its
Music
Beautiful Songs
柴咲コウ「影」 [猫幸音楽会 2013]【HD】
The history of traditional music in Japan is rich and varied. Many musical forms were imported from China more than a thousand years ago, but over the years, they were reshaped into distinctively Japanese styles of expression. Instruments were adapted and newly created to meet local needs, and the most important of these were the shamisen, shakuhachi, and koto.[3]
ドラマ「僕のいた時間」主題歌、Rihwa（リファ）
「春風」ミュージックビデオ
「春風」ミュージックビデオ
Atif Aslam
Pakistani Singer
Atif Aslam - Darmiyaan
The Turkish Music
All About Turkey.Com
Turkish music comes from various old music courses and has developed its own style combining the Central Asian folk music from the Seljuk period with the Byzantine, Persian, Ottoman, Arab, Balkan and gypsy musics until the present, as well as mixing the American and European popular music with these traditional ones. [4]
The Turkish folk music developed throughout the centuries by the local people of Anatolia, who also practiced religious and military music too, such as the Whirling Dervishes' Sufi music and the Jannissary band of the Ottoman army. [4]
Arabesque music came into the Ottoman palaces with the influence from the Middle East, and belly dance music became popular in the Ottoman Harem. In the meantime intellectuals who lived in the cities developed the classical music.[4]
Greek Turkish
Shared Musics
- Kizim Seni Aliye
(Istemem Babacim)
Shared Musics
- Kizim Seni Aliye
(Istemem Babacim)
Generally speaking, the pop, rock and jazz were developed only after the Republic and lately they became an important music genre amongst young people in the country, especially in the big cities. [4]
During the late 1990's, the underground music, Turkish rock, hip-hop, rap, electronica, and dance music became popular too as a part of American influence from around the world.
[4]
KIZIM SENİ ALİYE VEREYİM Mİ,
RAMAZAN ÇELİK & ASLI ŞAHİN
RAMAZAN ÇELİK & ASLI ŞAHİN
